Theresa Keogh was a member of last year’s STEP UP Creatives Ensemble (2012 /13). She is now our resident Trainee Director and is currently assisting on The Lovesong of Alfred J Hitchcock. She’ll be writing a regular blog about her time in the rehearsal room…
One of the first steps in our process is seeing the set model produced by our Designer Juliet Shillingford. The first thing that strikes me is how closely the set reflects our script. The starting point is a white background and a blank canvas – immediately Rudkin’s subtitle “a working for the space” springs to mind. And yet it is anything but bare: there are so many potential uses of the set – a screen may move, silhouettes may be shown or images created on screens… or not. Nothing is fixed! Instead this is a set that is fluid. Not only does the sets ability to transform reflect the stream of consciousness of our narrative but also it opens up so very many options for the Director to explore.
I’ve found this to be one of the most exciting aspects of production: witnessing the rehearsal style of our Director Jack McNamara. The dynamism is not exclusive to the set but something he has extended to all aspects of the production. For example scene transitions, lighting, music and sound have all been introduced from the start of the process. Of course these will be refined over the production period but incorporating these aspects so early has such a powerful effect… every single aspect is integrated, every aspect is constantly been honed and refined and so every one of these aspects works in tandem to create an incredibly unified show – The Lovesong of Alfred J Hitchcock!
Theresa Keogh- Assistant Director